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- LFI Magazine 03/2021
LFI Magazine 03/2021
8686HW100601(LFI03_2021)
「LFI」（Leica Fotogarfie International）は、ライカと写真をテーマに1949年に創刊され、現在まで発刊され続けている専門誌です。
優れた写真作品の紹介を中心に、ライカの新製品や写真技術に関するテクニカルレポートなどの記事を掲載しています。
￥2,200
(税込)
掲載内容
Bruno Barbey: Leica Classic. He travelled most of the world, but returned time and again to his home country of Morocco. In February the photographer would have turned 80
Nina Röder: Champagne in the Cellar. With props taken from the belongings left behind by her grandparents, the artist stages herself and her mother in absurd and grotesque tableaus
Alessandro Cinque: Peru – A toxic State. For his long-term project, the Italian photographer systematically visits the mining regions of Peru. An interim report
Siegfried Hansen: The Flow of the Lines. A very different type of street photography: with colours, shapes and surfaces, Hansen composes fascinating still-lifes using mundane elements
Joseph Michael Lopez: Dear New Yorker. Despite the pandemic and lockdown, Lopez has continued working on his series – for the first time not with the M, but rather with the Q2 Monochrom
F/STOP: Leica Apo-Summicron-M 35 f/2 Asph | Leica Apo-Summicron-SL 28 f/2 Asph | Leica SL2-S
Bruno Barbey: Leica Classic. He travelled most of the world, but returned time and again to his home country of Morocco. In February the photographer would have turned 80
Nina Röder: Champagne in the Cellar. With props taken from the belongings left behind by her grandparents, the artist stages herself and her mother in absurd and grotesque tableaus
Alessandro Cinque: Peru – A toxic State. For his long-term project, the Italian photographer systematically visits the mining regions of Peru. An interim report
Siegfried Hansen: The Flow of the Lines. A very different type of street photography: with colours, shapes and surfaces, Hansen composes fascinating still-lifes using mundane elements
Joseph Michael Lopez: Dear New Yorker. Despite the pandemic and lockdown, Lopez has continued working on his series – for the first time not with the M, but rather with the Q2 Monochrom
F/STOP: Leica Apo-Summicron-M 35 f/2 Asph | Leica Apo-Summicron-SL 28 f/2 Asph | Leica SL2-S
